Lesson 3

The Natural Minor Scale

The natural minor scale explained - the W-H-W-W-H-W-W pattern, relative major/minor relationships, and why minor sounds darker. Free audio examples.

By the end: You can build a natural minor scale, identify its relative major, and compare their shared notes.

The natural minor scale is another seven-note collection with its own interval pattern. Compared with the major scale, it has a lowered third, sixth, and seventh. Its musical effect depends on melody, harmony, register, and performance rather than on the scale name alone.

The formula: T-S-T-T-S-T-T

Like the major scale, the natural minor has a fixed pattern of tones and semitones. Comparing the two patterns shows the lowered third, sixth, and seventh degrees.

Major pattern

T T S T T T S

Natural minor pattern

T S T T S T T

Three notes are lowered compared to the major scale: the 3rd, 6th, and 7th. The flattened 3rd is the biggest deal - it's what makes it sound minor.

A natural minor

A minor is the "default" minor key for the same reason C major is the default major key - it uses only white keys.

A natural minor step by step

A T (2 semi) B
B S (1 semi) C
C T (2 semi) D
D T (2 semi) E
E S (1 semi) F
F T (2 semi) G
G T (2 semi) A

A natural minor - all white keys from A to A

Relative major and minor

Here's a fascinating connection: C major and A minor use the exact same notes - just starting from different places. They're called relatives.

C major
C D E F G A B
A minor
A B C D E F G

Same seven notes, different starting point and tonal centre

Every major key has a relative minor that starts 3 semitones below it. C major's relative minor is A minor. D major's relative minor is B minor. This pattern always holds.

Intervals from the root

Here are the semitone distances that define the natural minor scale, compared with the major.

1 0 0 Root
2 2 2 Major 2nd Same
3 4 3 Major 3rd / Minor 3rd Lowered - the key difference
4 5 5 Perfect 4th Same
5 7 7 Perfect 5th Same
6 9 8 Major 6th / Minor 6th Lowered
7 11 10 Major 7th / Minor 7th Lowered
Maj Min

The natural minor scale in numbers: 0, 2, 3, 5, 7, 8, 10.

Hear the difference

Same root note, different scale. The minor 3rd (Eb instead of E) is the defining sound change.

Try it

Compare C major and C minor above and predict which three scale degrees change before playing them. Write the minor scale from C, then check that degrees 3, 6, and 7 are each one semitone lower than in C major.

Build the same pattern from a different root, such as D, to practise the formula rather than memorising only the white-key example.

Key takeaway

The natural minor uses T-S-T-T-S-T-T (semitones: 0, 2, 3, 5, 7, 8, 10). It's the major scale with degrees 3, 6, and 7 lowered by one semitone. Every major key has a relative minor starting 3 semitones below (C major = A minor). Same notes, different emotional centre.

Next: variations on the minor scale that composers created to solve specific problems.

Try natural minor in Starts

Select "Minor" as your scale and hear how all generated parts use these darker intervals.